Библиографски раздел

Емануел Сведенборг и учението за съответствията - езотеричен идеен комплекс и поетика

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  • Summary/Abstract
    Резюме
    The Swedish scientist, philosopher and writer Emanuel Swedenborg (1688-1772) is one of the most internationally famous representatives of his native country and of European Enlightenment with a strong influence on many bright minds in the world even to this day. Influenced by Descartes, but also by Locke and Leibnitz, Swedenborg saw the world as subject to mechanical laws and already in his first works of a progressively philosophical and psychological nature he investigated the question of the relationship between mind and matter, body and spirit, coming to the conclusion that soul is material. Like almost all scientists of those days, Swedenborg's starting point lay in Christianity. For him there was a natural link between the function of the soul and the problem of good and evil; also with the epistemological question of the nature of human knowledge. Knowledge, he thought, partly springs from experience, partly - from intuition which is divine clarity, light. During his Journal of Dreams period (approx. 1743-1745) Swedenborg went through an existential and religious crisis and became a mystic. He decided to discover and explain the complex structure of the universe with the help of the scientific rationalism, characteristic of his time. The essence of Swedenborg's message is theosophy, knowledge of God and its best known aspect is the correspondence doctrine, a dynamic context in which the natural, spiritual and divine things are connected in a whole with universal importance and validity. The idea of this concordance has served as a special approach to creation in literature and arts but also as their general principle to many thinkers, writers, musicians, artists in different countries and epochs like the European Romanticists, Emerson, Balzac, Baudelaire, Strindberg, Pound, Borges, Milosz, Brodsky and probably above all - Dostoyevsky.

Библиографски раздел

Крум Кърджиев - дълголетието на Бероновия комплекс. Опит за реконструкция по архивни материали

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  • Summary/Abstract
    Резюме
    Based on unpublished archive materials, the study deals with the topic of the so-called "Karjiev case", which, without leaving any important traces in the humanitarian ideas in Bulgaria, is one of the indicators of the forthcoming "humanitarian fever" and without which its ethnology could hardly be explained. The extrapolation of the not quite definitive "Beron's complex" to the metaliterary practice in Bulgaria from the beginning of the 20th century up to the late 1940s aims at the metaphorical strengthening of our idea about the fateful, but not quite logical, difference between the literary language and the language of its conception. It prompts at the idea that the inventive "uniformity" between them, based on native accumulation, could only be seen in the 1960s and the role of people like Krum Karjiev is particularly important from a historical point of view.