Резюме
The foreign in Dimitar Dimov's works is basic for his narrative strategy. It is structure-forming for his works, and not external and formal, as it has been perceived in most cases. Sustained by it are the story and the characters, as well as the narrator's point of view. Without including an opposition to the own/Bulgarian, it is a direct approach to the most crucial philosophical and psychological searches of the author. The foreign is set also as a reading strategy of Dimov's works. If the reader misses the "foreign" - if s/he depreciates or misinterprets it - that means s/he misses Dimov. Furthermore, "inwards to the foreign" suggests a reception strategy by which the receiver could "read" his/her own intrapsychic.
Навътре към чуждото - стратегията на едно творчество
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Обхват на страниците:56-67Брой страници12ЕзикБългарскиБрой преглеждания:
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Име:
Светлана Стойчева
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Име:
Светлана Стойчева
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- Инверсия:
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Е-поща
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Е-поща
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ИнституцияNational Academy for Theatre and Film Arts
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ИнституцияNational Academy for Theatre and Film Arts
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Име:
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Ключови думиРезюмеThe foreign in Dimitar Dimov's works is basic for his narrative strategy. It is structure-forming for his works, and not external and formal, as it has been perceived in most cases. Sustained by it are the story and the characters, as well as the narrator's point of view. Without including an opposition to the own/Bulgarian, it is a direct approach to the most crucial philosophical and psychological searches of the author. The foreign is set also as a reading strategy of Dimov's works. If the reader misses the "foreign" - if s/he depreciates or misinterprets it - that means s/he misses Dimov. Furthermore, "inwards to the foreign" suggests a reception strategy by which the receiver could "read" his/her own intrapsychic.