Summary
In 2025, the journal Literaturna missal (Literary thought) is going to publish an issue dedicated to the interdisciplinary topic "Sound and Text". The issue will include articles in English and Bulgarian. The complex interrelations between sound and text have a history as long as literature itself, dating back from the primary unstable form of oral poetry, through the secondary writing forms of oral poetry, up till today’s digital audio-visual forms (Paul Zumthor. Oral Poetry: An Introduction). Sound should be considered in the broadest possible sense, and in many literary and cultural forms it is practically inseparable from the text. The interconnected forms of sound and text are positioned in a broad intercultural context, as these forms develop from the verse of Antiquity to the present day. The research could focus on acoustic and textological issues of the Medieval Corpus and Early Modernity to the 20th century. It can adopt historical or theoretical approach. From the perspective of intermediality, the research could analyze the sound-text interaction in the historical avant-gardes and neo-avant-gardes. The complex relations between the two are crucial also for many other realms of contemporary cultural studies (electronic audio literature, film, theatre, performance, popular music, video games, digital media, etc.). Their theoretical and historical configurations call for examination from various perspectives.


Звук и текст. Встъпителни думи

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    5
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    6
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    2
    Language
    Български
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  • Summary
    In 2025, the journal Literaturna missal (Literary thought) is going to publish an issue dedicated to the interdisciplinary topic "Sound and Text". The issue will include articles in English and Bulgarian. The complex interrelations between sound and text have a history as long as literature itself, dating back from the primary unstable form of oral poetry, through the secondary writing forms of oral poetry, up till today’s digital audio-visual forms (Paul Zumthor. Oral Poetry: An Introduction). Sound should be considered in the broadest possible sense, and in many literary and cultural forms it is practically inseparable from the text. The interconnected forms of sound and text are positioned in a broad intercultural context, as these forms develop from the verse of Antiquity to the present day. The research could focus on acoustic and textological issues of the Medieval Corpus and Early Modernity to the 20th century. It can adopt historical or theoretical approach. From the perspective of intermediality, the research could analyze the sound-text interaction in the historical avant-gardes and neo-avant-gardes. The complex relations between the two are crucial also for many other realms of contemporary cultural studies (electronic audio literature, film, theatre, performance, popular music, video games, digital media, etc.). Their theoretical and historical configurations call for examination from various perspectives.