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Summary
The article is dedicated to the first and most significant novel in Bulgarian literature with a plot from the Spanish Civil War (1936–1939) – the novel "Condemned Souls" (1945) by Dimitar Dimov. In the context of criticism of the literary work of the author (the so-called „Tabacco“case 1951–1953) and its quasi-socialist poetics, the tendency towards historical incoherence is analyzed. Dimov’s novel has a large number of small historical and logical inaccuracies, but one error is indicated as essential: the narrative of the "Condemned Souls" takes place in 1936 and one of the main characters is a Jesuit, but the historical truth is that between 1932 and 1938 on the territory of Spain „The Society of Jesus“ is banned by the republican Constitution (1931) and edicts of the prime minister Manuel Azaña (1932); these statutory provisions are not repealed until 1938 when the rights of the Order are restored by Francisco Franco. In this way, Dimov’s novel is interpreted as a ‘torn creation’ between fiction and the historical truth.


Раздробена фикция. Eдна историческа несъобразност в романа „Осъдени души“ на Димитър Димов

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    29
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    42
    Page count
    13
    Language
    Български
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  • Summary
    The article is dedicated to the first and most significant novel in Bulgarian literature with a plot from the Spanish Civil War (1936–1939) – the novel "Condemned Souls" (1945) by Dimitar Dimov. In the context of criticism of the literary work of the author (the so-called „Tabacco“case 1951–1953) and its quasi-socialist poetics, the tendency towards historical incoherence is analyzed. Dimov’s novel has a large number of small historical and logical inaccuracies, but one error is indicated as essential: the narrative of the "Condemned Souls" takes place in 1936 and one of the main characters is a Jesuit, but the historical truth is that between 1932 and 1938 on the territory of Spain „The Society of Jesus“ is banned by the republican Constitution (1931) and edicts of the prime minister Manuel Azaña (1932); these statutory provisions are not repealed until 1938 when the rights of the Order are restored by Francisco Franco. In this way, Dimov’s novel is interpreted as a ‘torn creation’ between fiction and the historical truth.