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Summary
The article explores the theme of Bulgarian Modernism at the beginning of the twentieth century through the point of view of L. Stoyanov's poetry and critical texts. He is a poet who experiences the heyday and the drama of the end of Symbolism. On the other hand, he is a critic who often puts negative assessments on the authors of his time. However, there are emblematic phrases in those articles that give a precise diagnosis of the literary phenomenon.


Людмил Стоянов – теория и практика на критическия жест