pastoral

The text offers a reading of sociocultural and literary phenomena, unfolding in the French Belle Époque, based on the uses of the bucolic code and the transcriptions of the pastoral. I analyze the production of new bucolic loci, as well as the multiplicity of their meanings / significations that shape through their deployment in the registers of high and popular culture alike and in the phenomena generated by the interaction between them.

The article traces the attitude to music in the Hellenistic Greek novels, namely the pastoral novels and tries to outline the significance of music and musical improvisation in the ancient world. It is shown against the backdrop of the representations of visual images. The text follows an excursus from there on and it is aimed at explaining the fate of music within the tradition of the aesthetics of the Enlightenment. With this purpose in mind, it considers the distinguishing between the varying signs and the divergent content of different arts as it is done in Winkelmann, Lessing and Herder. Visual art is privileged in the whole tradition of aesthetics. This is true mostly for aesthetics, which considers itself to be a philosophy of art and not a science of perceptive faculties and intuition. This tendency reaches its peak in Hegel’s “Aesthetics”.