Submitted on
Библиографски раздел
Статии

Царкиня в градината: кое е общото между Димчо Дебелянов и Езра Паунд

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Статия пдф
1979011128
  • Summary/Abstract
    Резюме

    Bulgarian poet Dimcho Debelyanov and renowned modernist Ezra Pound independently used an epigraph from a common literary source in a poem by French symbolist Albert Samain. The paper discusses this coincidence with regard to two basic functions of epigraph as paratext: to broaden the interpretation of the quoting work, and to perform rhetorical gestures. Through an epigraph-focused interpretation of both works, the paper outlines the capacity of literary epigraphs to produce complex intertextual links, exhibiting valence both inward, i.e. within the own text, and outward, reaching to other texts and the broad field of intertextuality.

Submitted on
Библиографски раздел
Статии

Ламар в литературните контексти между двете световни войни

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  • Summary/Abstract
    Резюме
    The research subject of the study is the poet Lalio Marinov, who is known by his creative pseudonym Lamar. Attention is focused on his presence in the Bulgarian literary process between the two world wars. Lamar's path in the already formed aesthetic trends of post-war Symbolism and Expressionism is examined. Attention is paid to the traces that imaginism and anarcho-communism leave in his poetry. The more prominent intertextual relationships that took shape in the 1920s are traced. More important are those relations between Lamar, on the one hand, and Geo Milev, Dimitar Hadjiliev, Yassen Valkovski, Ivan Perfanov, on the other. It comments on the changes in imagery and poetic expression that accompanied Lamar and his books, as well as his publications in literary periodicals in the years between the two wars.
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