Резюме
This article typologizes visual poetry of the Slovenian neo-avant-garde. The Slovenian neo-avant-garde, which flourished roughly from the mid-1960s to the early 1970s, was closely connected to student movements on the one hand, and to new theoretical and philosophical currents on the other. Young authors thus tested the boundaries of literary discourse and experimented with new artistic practices, such as happenings, performance, multimedia projects, land art, and so on. In so doing, they drew heavily upon the artistic and literary practices of the historical avant-garde, which again gained popularity at that time as well. Although the intertwining of the verbal and the visual in literature in the 1960s was not new, it reached new dimensions with the development of conceptualism.
Slovenian Neo-Avant-Garde Visual Poetry
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Обхват на страниците:116-130Брой страници15ЕзикАнглийскиБрой преглеждания:
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Име:
Lucija Mandić
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Е-поща
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ИнституцияZRC SAZU
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Име:
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Ключови думиРезюмеThis article typologizes visual poetry of the Slovenian neo-avant-garde. The Slovenian neo-avant-garde, which flourished roughly from the mid-1960s to the early 1970s, was closely connected to student movements on the one hand, and to new theoretical and philosophical currents on the other. Young authors thus tested the boundaries of literary discourse and experimented with new artistic practices, such as happenings, performance, multimedia projects, land art, and so on. In so doing, they drew heavily upon the artistic and literary practices of the historical avant-garde, which again gained popularity at that time as well. Although the intertwining of the verbal and the visual in literature in the 1960s was not new, it reached new dimensions with the development of conceptualism.