Резюме
The one and only attempt of the writer Assen Christophorov in the field of dramaturgy is the play "Razvigorat". It is written in co-authorship with the humorist Haim Benadov. This creative tandem and the fact that Christophorov makes an unusual attempt for his writer's occupation, arouses questions whose answers are sought in this article. "Razvigorat" does not shine with specific literary merits. This is a mediocre play on anti-cult topics. Therefore, the objective is not a scientific literary analysis of the play, but placing it in the context of the dramaturgy of the 1960s. Thematically "Razvigorat" is closest to the "Prokurorat" by G. Djagarov. Together with the attempt to clarify the creative and the ideological atmosphere of that time, this article makes a parallel between the fates of the two plays.
Oпитът на Aсен Христофоров в драматургията
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Обхват на страниците:75-83Брой страници8ЕзикБългарскиБрой преглеждания:
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Име:
Николета Пътова
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Е-поща
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ИнституцияInstitute for literature
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Име:
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Ключови думиРезюмеThe one and only attempt of the writer Assen Christophorov in the field of dramaturgy is the play "Razvigorat". It is written in co-authorship with the humorist Haim Benadov. This creative tandem and the fact that Christophorov makes an unusual attempt for his writer's occupation, arouses questions whose answers are sought in this article. "Razvigorat" does not shine with specific literary merits. This is a mediocre play on anti-cult topics. Therefore, the objective is not a scientific literary analysis of the play, but placing it in the context of the dramaturgy of the 1960s. Thematically "Razvigorat" is closest to the "Prokurorat" by G. Djagarov. Together with the attempt to clarify the creative and the ideological atmosphere of that time, this article makes a parallel between the fates of the two plays.